dr Barbara Braid

barbara.braid@usz.edu.pl

Wydział Humanistyczny US

Piastów 40b. budynek nr 4, p. 405

tel. (91) 444-26-58

71-065 Szczecin

Strony www

• Bibliografia US: https://bibliografia.bg.szczecin.pl/Persons/Details/1567
• academia.edu: https://szczecin.academia.edu/BarbaraBraid
• resarchgate.com: https://www.researchgate.net/profile/Barbara-Braid
• numer ORCID: 0000-0002-4028-4066

Pola badawcze

• neowiktorianizm w literaturze i kulturze popularnej
• gotycyzm i horror
• adaptacja i biofikcja
• badania feministyczne, genderowe i queerowe
• widmontologia i teoria traumy
• motyw szaleństwa w literaturze

Wybrane publikacje naukowe

Książki

• Bodies in Flux: Embodiments at the End of Anthropocentrism, red. H. Muzaffar, B. Braid, Brill, 2019.
• Ambiguous Selves: Contesting Gender Binaries in Literature, Film and the Media, red. B. Braid, E. Glapka, M. Siemiątkowska, Cambridge Scholars Publishing 2019.
• Gender under Construction: Femininities and Masculinities, red. E. Glapka, B. Braid, Brill, 2018.

Artykuły w czasopismach naukowych

• Neo-Victorianism as a cemetery: heterotopia and heterochronia in Tracy Chevalier’s Falling Angels and Audrey Niffenegger’s Her Fearful Symmetry, “Humanities” 2022, nr 11.1. https://www.mdpi.com/2076-0787/11/1/11
• Mad, Bad and Dangerous: Queering Lizzie Borden in Lizzie (2018), “Neo-Victorian Studies” 2020, nr 13.1, s. 100-124. http://www.neovictorianstudies.com/past_issues/13-1-2020/NVS-13-1-3-B-Braid.pdf
• Obce, zrujnowane ciała: melancholia we współczesnej prozie kobiecej, „Autobiografia. Literatura, Kultura, Media” 2017, nr 2(9), s. 125-137. https://wnus.edu.pl/au/pl/issue/820/article/13465/
• The Frankenstein Meme: Penny Dreadful and The Frankenstein Chronicles as Adaptations, “Open Cultural Studies” 2017, nr 1.1, s. 232-243. https://www.degruyter.com/document/doi/10.1515/culture-2017-0021/html

 Rozdziały w monografiach

• Queering the Madwoman: A Mad/Queer Narrative in Margaret Atwood’s Alias Grace and Its Adaptation, w: Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media, red. S. E. Maier, B. Ayres, Palgrave Macmillan, Basingstoke 2020, s. 203-227. https://link.springer.com/chapter/10.1007/978-3-030-46582-7_9
• Body Going Gaga: Lady Gaga, Disability and the Gothic Body, w: Bodies in Flux: Embodiments at the End of Anthropocentrism, red. H. Muzaffar, B. Braid, Brill, Leiden and Boston, 2019, s. 57-75.
• A Psychiatrist as a Detective: Laszlo Kreizler, Stratham Younger and Max Liebermann, w: Victorian Detectives in Contemporary Culture: Beyond Sherlock Holmes, red. L. Krawczyk-Żywko, Palgrave Macmillan, Basingstoke 2017, s. 91-112. https://link.springer.com/content/pdf/10.1007%2F978-3-319-69311-8_7.pdf
• Gothic subversions of heterosexual matrix in Sarah Waters’ Affinity, w: All That Gothic, red. A. Łowczanin and D. Wiśniewska, Peter Lang, Berlin 2014, s. 184-191.
• What haunts Hundred’s Hall? Transgression in Sarah Waters’ The Little Stranger, w: Crossroads in Literature and Culture, red. J. Fabiszak, Jacek, E. Urbaniak-Rybicka, B. Wolski, Springer Verlag, Berlin, 2013, s. 135-145. https://link.springer.com/content/pdf/10.1007%2F978-3-642-21994-8_13.pdf

Inne

• Wywiad w programie telewizyjnym „Kino Mówi” na kanale Ale Kino+; odcinek pt. „Oscar-Jane Eyre”, emitowany 26 lutego 2016 https://www.youtube.com/watch?v=4cB_L6HGgWw&t=539s